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After all, he had to ask Nazuna what a friend was, and had no real conception of what a fight was and how to resolve it. The draw is obvious – but that path often leads to a bad end (and that’s where stories like this get complicated).Īs for Kou, he’s pretty innocent even for a middle schooler. It’s a world of outcasts and oddballs, really. Less judgmental, with fewer expectations.

It’s worth noting that the world of the night has always been a much friendlier place for such people. Whereas Kou has basically abdicated societal responsibilities and tried to live as he pleases. The difference is, she tries to fit in – to do what’s expected. Her family seems to as remote as presence in her life as his family is in his. She doesn’t really fit any better than Kou does. That said, I’m pretty sure this show is just good.Īkira has been a really nice addition to the chemistry here, essentially turning a duet into a trio. I know I like it – do I need to analyze any deeper than that?

With a show like Yofukashi no Uta, which just speaks a language I fundamentally understand (and I don’t mean Japanese), separating objectivity and subjectivity can be extremely difficult. How does one distinguish something objectively “good” from something that’s just a good fit? Of course all criticism is ultimately subjective, and that only makes this harder. With any sort of criticism, anime or otherwise, it’s always an interesting conundrum.

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